Showing posts with label Sue Katz: Consenting Adult. Show all posts
Showing posts with label Sue Katz: Consenting Adult. Show all posts

Tuesday, February 3, 2009

BLOGROLL AMNESTY DAY

(Graphic provided by ZenComix.)

I'm celebrating Blogroll Amnesty Day today for the first time. For a full explanation, see the originator Jon Swift. The short version is, it's a chance for bigger blogs to promote smaller blogs whom they read and/or wish to support. But I'm a small blog, so I'm employing the caveat that it doesn't have to be smaller than me: It just has to be choice blogs for whom I'd like to blow a celebratory horn.

Below is my "Check These Out" list. Not all of these blogs publish every day, or even every week. But I love each and every post they produce, I learn from them, I find my energy and spirits raised by reading them. Some of these bloggers have become my (cyber)friends because of exchanges we make to each other's blogs. And, it just so happens, they are all blogs created by women. Go figure.

Flip Flopping Joy mastheadFlip Flopping Joy -- by BrownFemiPower (whom I discovered at La Chola because of last year's B.A.D.): BFP writes about everything pertaining to the human condition, from a WOC, no limits perspective. She IS the leading edge, the event horizon.

Liza Cowan in greef scarf January 2007 See Saw -- by Liza Cowan at Pine Street Art Works, Burlington, Vermont: About art + retail, plus politics, pop culture, and did we mention art?



Sue Katz Sue Katz: Consenting Adult -- by Sue Katz: Frank talk, critical views and a belly laugh now and again



Ojibway Migis Bineshii Ojibway Migisi Bineshii -- by Ojibway Migisi Bineshii: News and information about Aboriginal, First Nations, Indigenous and Native people worldwide from an Ojibway feminist perspective.

Crow logo for Kat of BitchCraft BitchCraft -- by Kat: Feminism, music, and geekiness, free of party lines or pontification.



Womanist Musings Masthead
Womanist Musings -- by Renee: Humanist, pacifist, womanist, deep deep voice against racism and classism -- thank god this woman is also raising children.

Carolyn Gage Carolyn Gage -- by Carolyn Gage: Lesbian-feminist plays, musicals, one-acts, and monologues

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Thursday, August 14, 2008

Daily Beijing Olympics Thread for 13 August 2008

(Natalie Coughlin models the Speedo Fastskin LZR Racer Suit)

Here's your daily subjective report on the Olympics and a chance to converse about it in comments.

SPOILER NOTE: Some results will be reported below for the competition of yesterday, so be forewarned.

FEEDBACK TO COMMENTS POSTED AT GROUP NEWS BLOG: It's so predictable. I self-identify as disabled and at least one person thinks that means it's okay to call me retarded. This is classic able-bodied oppression. I do not have a mental or cognitive disability (although I did for part of one year, after anoxia during a surgery). If I did, I'd say so without shame. It's not funny and it's not "less than", it's simply a difference. Retard, on the other hand, is a hate term and is not welcome here. I'm leaving the comment up to make my point, but future hate speech directed against physical difference will disappear, poof.

I think commenting on the rigid feminization of certain sports is entirely appropriate, just as commenting on race and class as it limits those who can be at the Olympics is what a political blog should be doing. I used humor to change the pace, but I think it must have gone over at least one person's head: Pointing out sexism and classism is NOT part of the problem, despite the American myth that silence is the only (middle-class) way to be "nice". White, male, and upper class are default normal in this country. If you point out something contrary to the default, if you ask for attention to be directed toward the areas where people are still fucking dying daily because they are targeted in these areas, it is not identity politics or causing trouble, it is clarity and conscience which offers hope to every person who isn't comfortably included in (or allied with) the "default" categories.

Using "political correctness" as an attempted insult immediately marks you as having been stunted by the thinking of the Right, as begun by Reagan. Liberal, politically correct, compassion, and global are not terms of disparagement to me and other radicals. Political correctness is, at its baseline, a sincere attempt to avoid language, thinking and behavior which contributes to the oppression of others. If it seems hilarious or too much work to you, well, as Dr. Phil says, you might wanna take a look at that.


I also have a little trouble with the term "heatherish", which has the feel of pretending that the internalized oppression aimed by members of a target group at one another is what keeps those of in the target group oppressed and "in line". My self-reminder in any analysis is: Check the power flow, dummy. Me noticing how terrified these young women are of looking "not right" is NOT the oppression (which is a blend of class and gender).

One commenter made a great point, about objective scoring vs. subjective. Another commenter (at my own blog) made a related point when she voiced appreciation for the commentators who are taking the time to explain the sport to us as the action goes along. Understanding why deductions occur helps make it a much more enjoyable, shared experience -- and, incidentally, reveals where subjectivity has too much leeway. I'm still outraged that Torvill & Dean didn't win their ice-dancing competition years ago, and whether it was judge corruption or simple disagreement about technique, the presence of subjective scoring there allowed a decision that almost no one found fair.

Thanks to the white-water fans who explained more about why Benjamin Boukpeti's win was so exciting, and about how the current course is equalizing gender in this particular sport. And, again, thanks to earlier commenters who gave me a smidgen of education about fencing: When I watched the women's team saber finals today, I understood a great deal more and got very caught up in the action.

Back to the question of attire: Much was made of Michael Phelps having to swim last night with goggles full of water, which effectively blinded him for 100 meters. To his credit, he still turned in a world record time. Since he is poised to break Mark Spitz's record, the Today show featured an interview with Mark Spitz, who was extremely gracious and supportive. I remembered him (all the swimmers then) racing without goggles, so I went to Youtube and found a video of the 1972 games, below. It's blurry but does show all the men wore no goggles or hats, had often shaggy hair (including Spitz's mustache, which I don't think we'd ever see today), and not all of them had the skimpy Speedo that Spitz wore. There was a lot of talk about how revealing his suit was, as I remember, but he said it played a role in his superior swim times and, of course, he was right about that.



In December 1974, my partner and I with our four-year-old daughter were traveling through South Texas and we stopped at the Magic Time Machine restaurant in San Antonio (which is still there). This is a TGI Friday's kinda place whose gimmick is that all the staff dresses up like characters from history or current pop culture. We were shown to a table by a guy dressed as Benjamin Franklin and invited to go to the "salad car" right away. Folks dressed in wildly different costumes flowed back and forth, and our daughter was a little frightened by it all -- she didn't recognize most of who the actors were supposed to be portraying.

Back at our table, however, as our waiter approached she cried out with delight "Look! It's Mark Spitz!" Wearing a skimpy Speedo, with that brushy mustache and mop of hair, and seven gold medals bouncing back and forth on his chest, indeed, Mark Spitz's double took our order. My daughter shyly asked if she could touch one of his medals, and he consented graciously. I noticed, however, his skin was slightly blue and there were goosebumps on his arms. He must have been freezing, poor guy.

My daughter talked about meeting Mark Spitz for years, a thrill of her young life. We didn't let on until she was old enough to figure it out for herself.

This Olympics we're seeing an astonishing number of swimming world records broken, not just by Michael Phelps but across the board, even in qualifying heats. One possible cause is the widespread use of Speedo's Fastskin LZR Racer suit, which I think first appeared at the Athens Olympics but appears perfected at this point. Also, the newer Olympic pools manipulate water away from the swimmer, as if they are "swimming downhill". And I've heard that new chemicals to more quickly remove lactic acid from overused muscles gives a strong advantage to current athletes who must perform repetitively in a single day or over a few days.

I mention all this with no intention to draw away credit from the astonishing performances we are seeing. It's a swimming Olympics to remember, for sure. And -- as Mark Spitz's record is bested, let's remember the guy who did what he did without these advantages, without hype or much expected of him at all: Seven gold medals in seven races, with a new world record time in each race. We can't compare him to Phelps or anyone else, really, because that was then and this is now; his race times would not hold up now. We can honor both equally, for what they have done.

As if the commentators were listening to my earlier criticism (which of course they were not), they've done better about explaining instead of gushing and sharing the praise in more directions. I finally found out what Natalie Coughlin is so good on turns (she rotates her body sideways for a stroke, which creates less drag), why a big swimmer with Alain Bernard can negatively affect a smaller swimmer (backwash at the turn), and why Phelp's unusual body is so ideal for swimming (his arm span is 6'7", three inches longer than his height; his feet are size 14 and bend an extra 15 degrees at the ankle, allowing him to use them much more as flippers).

Interestingly, after Jason Lezak won Bronze in the only event where he swam individually at this Olympics, the men's 100m freestyle, he was interviewed by Rowdy Gaines. During the course of the interview, Gaines quite appropriately brought up the most exciting swim of this games so far, Lezak's anchor leg of the 4x100 free relay with a split of 46.06. However, Gaines veered off into Phelpsomania, stating "You got Michael his gold in that event." With a slight smile and a steady voice, Lezak replied "I did not swim that race to win a gold for Michael." Hear, hear! When this was replayed with Bob Costas present, Costas appeared unable to take it in, although Gaines did and seemed to appreciate Lezak drawing a lane in the pool, as it were: He is not Phelps' minion.

And, from what I can see, Phelps is very aware of that. He seems to be close to his male cohorts. It's the press who have attempted to make him into the Only Swimmer that Matters -- and for too many of them, it's for a commercial bottom line, not even from pure love of sport.

Speaking of commercialism: I don't remember previous Olympics' coverage showing every single heat and semifinal as this one has (51 in total). I personally love swimming, but it occurred to me that because of watching all these non-decisive races, I'm missing all the other events that could be covered. Track & Field begin tomorrow, which has a similar multitude of events and voluminous numbers of competitors to be winnowed down to final races. I'll be watching to see if all those heats are aired as well. If not, I'll raise the question of whether this is pure commercialism -- i.e., give viewers only what is most popular -- or, dare I say it, because most of the athletes in swimming are white and most of the athletes in track & field are NOT white? A discussion to be continued, after more observation.

Locally (I live in Austin, Texas) there's a great deal of credit being given to Longhorn Aquatics at the University of Texas, where a huge number of these swimmers train -- some of them not even pros yet, still students at UT. Since I should plug my home town at least once, the following swimmers are from the Longhorn program: Ricky Berens, Hee-Jin Chang (swimming for China), Ian Crocker, Susana Escobar (swimming for Mexico), Brendan Hansen, Kathleen Hersey, Aaron Peirsol, Scott Spann, Garrett Weber-Gale, and Dave Walters.

While I'm plugging, I discovered a blog I read regularly is running GREAT posts about the Olympics with cultural and sociological commentary, covering territory I'm not: Sue Katz Consenting Adult. I especially liked her report on the older athletes who find a niche in some sports, Boomer Olympians.

Also, the Guardian UK wrote a pre-Olympics article which is highly educational and entertaining, Game For Anything, in which they sent eight of their reporters out in crash courses for competitions. These intrepid writers report back on the finer points of steeple chase, front crawl, shot put, fencing, gymnastics, rowing, high jump, and BMX. It's a great read.

Returning to attire: The aforementioned LZR swimsuits show the men swimmers constantly adjusting their shoulder straps and arm holes as compulsively as the women. I was happy to see it's not just us: When you wear a tight garment that lets flesh bulge out, you simply are not as comfortable in it. (Plus the nervousness factor, I'm sure.) In my freshman year of high school, our basketball uniforms were the old-fashioned style with shorts that were more like panties and arm sleeves in a baby-doll style. I remember our coach screaming at us during one time-out because somebody had been pushing her ass-cheek back into her suit instead of catching the ball on a pass.

The next year, new suits were bought for both the boys and girls' basketball teams, and after heated lobbying on our part, we got the same style as the boys -- roomy sleeves, breathable fabric, long-legged and baggy shorts with wide waistbands. I still remember the glorious freedom I felt when I first put mine on, not only the ease of movement but, even more, the relief from having to worry about exposure. When I watch women doing strenuous movements in leotards and see them constantly reaching to their bottoms to make sure the fabric hasn't ridden up too far, I feel for them. I suspect, as one commenter said, it's about the look rather than the function -- otherwise, men would be wanting to compete in leotards as well.

And, finally, regarding commentary, race, and class inequality at the games: I was watching in 2000 when Eric Moussambani swam his heat for the men's 100 meter freestyle. I was leaned forward cheering for him every agonizing stroke of the final 50 meters, and also laughing wildly: How on earth had this guy gotten to the Olympics? The last few meters, it looked like someone might need to jump in and pull him out. He was immediately dubbed "Eric the Eel".

Turns out, according to Wikipedia, he "gained entry to the Olympics without meeting the minimum qualification requirements via a wildcard draw designed to encourage developing countries without expensive training facilities to participate." In other words, poor countries are given a ticket to compete but no funding to support their athletes. What I remember from interviews at the time, he had no access to an Olympic-sized pool and therefore trained in a hotel pool that was 20 meters long, so 50 meters was 2.5 times what he usually swam. He had only been training for eight months, and he did it for the honor of his country.

It stopped being funny at that point. Below is a Youtube video of Eric Moussambani's swim, the most respectful one I could find (and it's not entirely free of crap).



When I checked the NBC site to see who is competing from his country this year, I found under the entry for Equatorial Guinea a brief reference to Moussambani which stated "he had only learned to swim eight months before, and in crocodile-infested waters." This is directly contradicted by my memory of his history and also by that of Wikipedia, and it smacks of appalling racial stereotyping.

To make matters worse, last night the NBC anchor ran another video of a swimmer from who was the sole competitor for a poor African country (I didn't catch the name and I cannot find it by searching the NBC site). He was swimming in a heat and came in dead last. The commentator prefaced it by going from an image of (guess who) Michael Phelps to the heat, stating "And now, from the sublime to, well, also the sublime but in an entirely different way". He laughed throughout the video. His tone was utterly condescending. If you can supply the name of this swimmer and country, I'd appreciate it.

Professionalism in sports is not the problem: Paying athletes is on a par with paying artists and other non-profit endeavors, in my opinion. It's who is controlling the endeavor (i.e., community vs. corporate or government), and how fair is the access that matters most. Paying lip-service to access while providing no money for athletes to train is disingenuous at best. I admit it's a stretch to ask wealthy superpowers to set aside some of our largesse to create sports program for boys and girls in the countries we tend to exploit, especially since those kids will likely grow up to be crackerjack competitors -- but can you imagine the Olympics which would result from a truly leveled playing field? (Pun intended.)

(Stephanie Rice wins 200m individual relay, photo from China Daily)

WORLD RECORDS IN SWIMMING SET ON AUGUST 12 AND 13:
Alain Bernard of France in Men's 100m Freestyle: 47.20 WR (in the semifinal)
Federica Pellegrini of Italy in Women's 200m Freestyle: 1:54.82 WR (won Gold)
Michael Phelps of U.S. in Men's 200m Butterfly: 1:52.03 WR (won Gold)
Michael Phelps of U.S. in Men's 200m Freestyle: 1:42.96 WR (won Gold)
Aaron Peirsol of U.S. in Men's 100m Backstroke: 52.54 WR (won Gold)
Stephanie Rice of Australia in Women's 200m Individual Medley: 2:08.45 WR (won Gold)
Ricky Berens, Ryan Lochte, Michael Phelps, and Peter Vanderkaay of US in Men's 4x200 Freestyle Relay: 6:58.56 WR (won Gold)

OLYMPIC RECORDS IN SWIMMING SET ON AUGUST 12 AND 13:
Paolo Bossini of Italy in Men's 200m Breaststroke: 2:08.98 OR (in the heats)
Kirsty Coventry of Zimbabwe in Women's 200m Individual Medley: 2:09.53 OR (in the semifinal)
Daniel Gyurta of Hungary (beating record set by Paolo Bossini in previous heat same day) in Men's 200m Breaststroke: 2:08.68 OR (in the heats)
Leisel Jones of Australia in Women's 100m Breaststroke: 1:05.17 OR (won Gold)
Kosuke Kitajima of Japan in Men's 200m Breaststroke: 2:08.61 OR (in the semifinal)
Rebecca Soni of U.S. in Women's 200m Breaststroke: 2:22.17 OR (in the heats)
Coralie Balmy, Celine Couderc, Camille Muffat, and Alena Popchanka of France in Women's 4x200m Freestyle Relay: 7:50.37 OR (in the heats)
Ricky Berens, Klete Keller, Erik Vendt, and David Walters in Men's 4x200 Freestyle Relay: 7:04.66 OR (in the heats)

SCHEDULE AND RESULTS: Available here.

P.S. NBC, PLEASE stop doing segments on reporters trying to eat fried scorpions. It's junior high "let's make fun of what other people eat" behavior. Get over it.


[Cross-posted at Group News Blog.]

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Wednesday, March 19, 2008

BROAD CAST 19 MARCH 2008: SEX ED, ADVANCED WOMAN OF COLOR FEMINISM, STOPPING SURVEILLANCE

(Real place, in Austria)

Okay, this is going to be flat-out theft, but I can't write it any better than Sue Katz over at her Consenting Adult blog, so I'll link and beg her indulgence. Ya'll should be reading her stuff, anyhow. In her post entitled Can You Stand Some Good (Sex) News?, she writes:

"THE EUROPEAN UNION GETS JIGGY
Finally, to promote the European film industry, the European Union has spent 44 seconds of celluloid (click below) showing 18 couples carrying on, according to Ananova.com.

"The lovers – fat, thin, straight, gay – are all humping and cumming – but a trembling egg yolk sitting on a piece of toast is for me one of the hottest images. There is even some toilet sex, before it wraps up with an idea that’s hard to argue with: 'Let’s All Come Together.' Disney, can you match it?"

It's a great video, so I'm embedding it below and yeah, Sue, I agree with you about the egg yolk.



(Poster available from the Chicago Women's Liberation Union Herstory Project)

Speaking of what ya'll should be reading: La Chola. Every day. Her Comment Policy begins "This site is an advanced RADICAL WOMAN OF COLOR FEMINIST site" and just this part alone is an education. Go here, open your ears, and get grown. Her posts on the front page right now include:

Media Justice: Seymour M. Hersh (about the anniversary of My Lai)

Two excellent posts about Obama and the Race Thang, obama picks up the race discussion and interesting religious differences

The brilliant for Allies: how “gender trumps race” plays out in the real world pt 2, which ends with the question: Do you see that even if 100% of all women of color prioritize race 100% of the time in their activism, the point is not to change women of color, but to change feminism? Because when women are under attack for ANY reason, that reason is ALWAYS gendered?

Her transcendant Media Justice: Writing, which begins with quotes by Hattie Gossett and Gloria Anzaldua (an excellent hint of what's to come)

The essential reporting in the criminalization of language

(A billboard altered in real life, not a Photoshop trick)

Chris Soghoian, author of the Surveillance State column at C/Net, has an article offering some handy tips on how to stop or reduce Dubya's government listening in on your private communications at The Day The Wiretaps Go Dead. He says:

"While there are so many scary things being done by intelligence and law enforcement, hope is not far away. Easy to use privacy technologies are upon us, and with them, comes a radical shift in the balance of power. As this article will explain, the scalable techniques with which the NSA, FBI and other agencies can spy on innocent Americans may soon be made useless - forcing them to go back to the old school (and labor intensive) black bag job."

We shouldn't make it easy for them to ignore our Constitution.

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Wednesday, February 6, 2008

BROAD CAST, 6 FEBRUARY 2008: POLITICS, POP CULTURE, AND POETRY

(March for Women's Lives, Washington D.C., April 25, 2004)

I have no comments about primary results except to say this: If woman-hating and white supremacy are playing an open role in this Presidential race, as they assuredly are (the only difference being that the malignancy has been unroofed), I think going to white men for analysis about "what it means" is like going to a male gynecologist. Choose your caregivers, as well as your information outlets, as lovingly as you choose your friends. This doesn't mean insularity -- some of my closest friends disagree with me in fundamental ways, which I appreciate. It means using trust and respect to winnow out who has your ear.


And I do wonder: If the Barack-hating were as in his face on news shows as the Hillary-hating is, how well would he deal with it? I know the man is surely facing assassination attempts by rightwing nutjobs as his campaign progresses. It's clear from what's going out on their talk radio, websites and flyers. Clearly the hate aimed against him is no less than what is targeting Hillary. But it bubbles up in different forms.

I can't read anything on a so-called progressive blog dominated by white males about Hillary that doesn't reek of woman-hating in its intellectual, I-am-the-great-objective-thinker guise. (Jesse Wendel being a strong exception.) Whereas the female bloggers that I read are, for the most part, struggling to identify their crap pro and con about both candidates and find a path through the minefields -- but then, we're raised to admit our mistakes.

Well, you can't kill maggots until you find out where the rot is. I keep telling myself that.

(Vulture woodcut by Tugboat Printshop)

One of the parenting policies of my mother which may or may not have been a good idea (I waffle) is that she seldom interfered with my choice of reading material. Mostly this freedom expanded my horizons, particularly since she did keep track and tried to engage me in conversation about what I had just absorbed after I finished a book. I remember that after I read Fanny Hill at around age nine, she poked questions at me in a way I knew meant there had been something in the book that concerned her. The sexual escapades were so decorously worded (in that 50s style) that they had gone over my head. I had blitzed through them. My only complaint to her was that "People smoked an awful lot of cigarettes", which sent her into crazed laughter I didn't comprehend until years later.

A few books, however, did upset me, at times enormously. I was sickened by Lolita, and given weeks of nightmares by the one-two punch of Triumph (by Philip Wylie, whom my mother had a love/hate relationship with as a reader) and On The Beach (by Nevil Shute), both of them post-nuclear-war apocalyptic nightmares that I read at around age 11.

I was also seriously rattled by by Richard Matheson's I Am Legend. The vampires were bad enough (and let me state here, this author should be credited for creating the world that Buffy would later inhabit). More thought-provoking was the message about conformity and difference: In a culture of vampires, the single "sane" individual who carries stakes and seeks their destruction is not only perceived by them to be "the bad guy", but possibly really is the problem. It gave me a great deal to think about, and in this case, I believe it was good for me.

I haven't seen the newest movie version of the book, although reviews say it does the message justice. I saw the previous adaptations, The Last Man on Earth (1964) and The Omega Man (1971), both of which I found disappointing when compared to the complexity of the book. But then, the only Charlton Heston role that seemed convincing to me was his gun-toting rant in Michael Moore's Bowling for Columbine.



Having mentioned Buffy, let me direct you to a fun exercise, The GOP Primary Field Expressed As Buffy Villains, created by Neil Sinhababu at Cogitamus. Imagining Ron Paul as Morloch the Corruptor makes glimpses of him easier to bear.


From the folks at via Poor Impulse Control comes a video of the kind of cooking show I'd love to see (now that the Two Fat Ladies are no more): Cookin' and Cursin' with the Grandsons of Italy Warning: Not for work consumption or kids' ears!



There's a great interview with Susie Bright at Susie Bright-ens Boston at Sue Katz: Consenting Adult about the current state of publishing and writing on the internet. Gave me some chewy bits.

(Window with garden landscape, by Louis Comfort Tiffany circa 1902-1920)

The selection two days ago from The Writer's Almanac stuck with me enough that I'd like to share it with you. Offered through American Public Media, The Writer's Almanac sends out (to those who sign up, like I did) a daily poem selected and read aloud by Garrison Keillor, along with literary and historical notes for the day in question. A welcome addition to the e-mail box.


MISGIVINGS
by William Matthews, 1998, from After All: Last Poems

"Perhaps you'll tire of me," muses
my love, although she's like a great city
to me, or a park that finds new
ways to wear each flounce of light
and investiture of weather.
Soil doesn't tire of rain, I think,

but I know what she fears: plans warp,
planes explode, topsoil gets peeled away
by floods. And worse than what we can't
control is what we could; those drab,
scuttled marriages we shed so
gratefully may augur we're on our owns

for good reasons. "Hi, honey," chirps Dread
when I come through the door, "you're home."
Experience is a great teacher
of the value of experience,
its claustrophobic prudence,
its gloomy name-the-disasters-

in-advance charisma. Listen,
my wary one, it's far too late
to unlove each other. Instead let's cook
something elaborate and not
invite anyone to share it but eat it
all up very very slowly.

And, to close out my post, another poem from Judy Grahn. I have to admit a personal attachment to this one because, a very long time ago, a woman I loved quoted it to me as if it were meant to be about me. A lovely memory.

A GEOLOGY LESSON

Here, the sea strains to climb up on the land
and the tree blows dust in a single direction.
The trees bend themselves all one way
and volcanoes explode often
Why is this? Many years back
a woman of strong purpose
pass through this section
and everything else tried to follow


by Judy Grahn, circa 1971, in She Who

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