Showing posts with label The Undertaking. Show all posts
Showing posts with label The Undertaking. Show all posts

Sunday, May 15, 2011

WADING

(Photo at the edge of the Lea Marshes, London, taken by Margot Williams, April 2011)

I woke up at 2:45 (after a 4-hr REM cycle and an Architecture Dream) and stayed up 2 hours, rereading Ginny Bates from the point where I had dipped in to get an excerpt for M. (Keyword search for that massive manuscript was "overalls", I had to laugh at how many hits there were but it finally surfaced.) Reached the birth of the first grandchild before I fell back asleep. That book looks like one long prayer of manifestation now.

I am living still in an altered state of "Be here now" body anchor and "Dream it forward" recovery, a swaying hammock that requires constant adjustment. And unlimited patience. I keep making 100 day plans, and at each new draft, there is definite movement but never as much as I had wanted. At those times, I have to staunchly resist the pull to Blame Self as best I can. Or blame at all. Blame is how my father glided through his oblivious life, and I want to do more than survive as long as he did, stepping over the bodies of those he claimed to love.

But Mama's pattern, of trying to assume responsibility for what which she could not change, is equally murderous. It is the lesson of being a girl in this country, and if you did not have it lacquered in thick coats onto your spirit before you were even a year old, I do not think you can truly Get It. It's a conditioning my generation, at least some of us, wake up to wearily every morning and mark the new perimeter, like a personal glacier's retreat or advance, so as to know our task for that day.

Has nothing to do with hormones or what attire we put on -- those illusions do not buy respite. Not for me. Not for Margot. I buzz my hair, she grows hers to below her ribs, and we are still both reacting to girlhood messages about female = wearing your hair for others. The Male others and their sheriffs.

Intimacy with another woman is a revolutionary act. It defies the most cardinal rule of the patriarchy -- Do not prioritize that which we call female. I don't mean love: "They" claim love for us. But here inside, we know what real love breaks down to, and thinking well about another female, valuing her intrinsically, is the act that threatens all the foundations and sets then whistling for the harriers.

The folly of the patriarchy is to try to control the Mississippi at all. The defining river of North America has traveled where she needs to for millenia, but within my lifetime men decided to stop its western advance -- because how can you own property near a force of nature otherwise? So now they are opening the Morgansas Spillway, saving New Orleans (this time) by flooding Cajuns. The hierarchy is always written plainly on the wall. Now that the Ninth Ward has been emptied of blacks, New Orleans is valuable enough to spend money on future lawsuits and a few insurance claims from those who will be under 25 feet of water by this time tomorrow. Blacks and Cajuns are both expendable. just at different points on the scale. But that difference is exploitable enough to get the Cajun vote for David Duke and Bobby Jindal.

Look deeper, bigger. See what the original watercourse was and get the fuck out of the way of her path. Women have always loved each other this much, when we could. I feel raw and uprooted only because I grew up with Boys running the world. I stand in rising waters that are from a broken dam, and I breathe, refusing to panic. And I have a strong hand firmly in mine, someone who for two years has not faltered with me, not once. A girl-hearted woman who keeps saying "We ALREADY have it." I stand on submerged granite and build leg muscle back. And think of the poem by Louise Glück:

THE UNDERTAKING

The darkness lifts, imagine, in your lifetime.
There you are — cased in clean bark you drift
through weaving rushes, fields flooded with cotton.
You are free. The river films with lilies,
shrubs appear, shoots thicken into palm. And now
all fear gives way: the light
looks after you, you feel the waves' goodwill
as arms widen over the water; Love,

the key is turned. Extend yourself —
it is the Nile, the sun is shining,
everywhere you turn is luck.

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Saturday, March 15, 2008

LUCK AND SELF-LOVE: SAME COIN

("At the Nile" by Amanda Evassy Tumusiime)

On the wall beside my bed are a number of photographs, hung beads, and a few pieces of paper containing lines or poems important to me. I'm sharing a couple of those today.

In the early 1990s, I went back to the Bay Area to visit friends for a week. I drove up to Napa to see my pal Gail, and we went to eat at a little cafe along the main two-lane blacktop through wine country. In the foyer of this cafe, along with many community notices and flyers, was a stack of pink handouts, each one-quarter of regular sheet of paper, on which someone had reproduced the lyrics to one of the chief lesbian anthems of the 1970's. There was nothing on the reverse, no indication of where these had come from, nothing to advertise: It was simply a gift to any who came by.

This song was almost indescribably important to my development as a human being, as a woman, as a lesbian, and (I believe) to much of my sisterhood's generation. Although I know the lyrics by heart, I picked up one of the little pink slips -- how could I not? -- and slid it into my datebook. When I got home, I tacked it up beside my bed as a daily reminder, and it's been there until now. I'll be returned it to its outline on the plaster, having typed it for you below.

Just above it has rested a postcard sent to me by an ex, when we were still in the agony of break-up, containing a poem whose author was not identified. It was a sort of well-wish, and it's been there for 17 years. Now that she and I no longer have anything to say to one another (not well wishes or ill wishes, only silence), it's time for the postcard to come down. But the poem is spectacular, and I'm sharing it with you -- tacking it up here for the world, as it were.

(Alix Dobkin, photo by Carol Newhouse)

THE WOMAN IN YOUR LIFE IS YOU

The woman in your life will do what she must do
To comfort you and calm you down and let you rest now
The woman in your life, she can rest so easily
She knows everything you do because the woman in your life is you

The woman in your life knows simply what is true
She knows the simple way to touch, to make you whole now
The woman in your life, she can touch so easily
She knows everything you do because the woman in your life is you

And who knows more about your story, about your struggle in the world
And who cares more to bless your weary shoulders

Than the woman in your life, she's trying to come through
A woman's voice with messages of woman's feelings
The woman in your life, she can feel so easily
She knows everything you do because the woman in your life is you

And who is sure to give you courage and who will surely make you strong
And who will bear all the joy that's coming to you

If not the woman in your life, she's someone to pursue
She's patient and she's waiting and she'll take you home now
The woman in your life, she can wait so easily
She knows everything you do because the woman in your life is you
The woman in your life, the woman in your life
The woman in your life is you


by Alix Dobkin on Lavender Jane Loves Women


(Louise Glück, by Sigrid Estrada)

THE UNDERTAKING

The darkness lifts, imagine, in your lifetime.
There you are - cased in clean bark you drift
through weaving rushes, fields flooded with cotton.
You are free. The river films with lilies,
shrubs appear, shoots thicken into palm. And now
all fear gives way: the light
looks after you, you feel the waves' goodwill
as arms widen over the water; Love

the key is turned. Extend yourself -
it is the Nile, the sun is shining,
everywhere you turn is luck.


(by Louise Glück, from The House on Marshland)

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