20 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

 

THE COMING OF LIGHT

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow's dust flares into breath.

By Mark Strand, from New Selected Poems.

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19 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Coyote Buttes, Utah)

EVERY LAND

The holy land is everywhere. —Black Elk

Watch where the branches of the willows bend
See where the waters of the rivers tend
Graves in the rock, cradles in the sand
Every land is the holy land.

Here was the battle to the bitter end
Here's where the enemy killed the friend
Blood on the rock, tears on the sand
Every land is the holy land.

Willow by the water bending in the wind
Bent till it's broken and it cannot stand
Listen to the word the messengers send
Life from the living rock, death in the sand
Every land is the holy land.

By Ursula K. Le Guin, from Finding My Elegy.

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18 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(Lion sleeping before storm in Kalihari; photo by Hannes Lochner)

THE SECOND COMING

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

 William Butler Yeats

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17 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Talvikettu -- Winter Fox, 2012-13 by Paula Mela)

PARENTS' DAY

I breathed shallow as I looked for her
in the crowd of oncoming parents, I strained
forward, like a gazehound held back on a leash,
then I raced toward her. I remember her being
much bigger than I, her smile of the highest
wattage, a little stiff, sparkling
with consciousness of her prettiness—I
pitied the other girls for having mothers
who looked like mothers, who did not blush.
Sometimes she would have braids around her head like a
goddess or an advertisement for California raisins—
I worshipped her cleanliness, her transfixing
irises, sometimes I thought she could
sense a few genes of hers
dotted here and there in my body
like bits of undissolved sugar
in a recipe that did not quite work out.
For years, when I thought of her, I thought
of the long souring of her life, but on Parents' Day
my heart would bang and my lungs swell so I could
feel the tucks and puckers of embroidered
smocking on my chest press into my ribs,
my washboard front vibrate like scraped
tin to see that woman arriving
and to know she was mine.


By Sharon Olds, from The Wellspring.

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LOLCATS WEEKLY ROUND-UP FOR 16 APRIL 2013

Here's the weekly best of what I've gleaned from I Can Has Cheezburger efforts. There are some really creative folks out there.

 

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16 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Dragonfly in rain by Shikhei Goh)

WHAT IS DIVINITY

What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch,
These are the measures destined for her soul.



By Wallace Stevens, from The Collected Poems of Wallace Stevens.

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15 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(1931 Frigidaire ad from Liza Cowan)

PRAYER IN MY BOOT

For the wind no one expected

For the boy who does not know the answer

For the graceful handle I found in a field
attached to nothing
pray it is universally applicable

For our tracks which disappear
the moment we leave them

For the face peering through the cafe window
as we sip our soup

For cheerful American classrooms sparkling
with crisp colored alphabets
happy cat posters
the cage of the guinea pig
the dog with division flying out of his tail
and the classrooms of our cousins
on the other side of the earth
how solemn they are
how gray or green or plain
how there is nothing dangling
nothing striped or polka-dotted or cheery
no self-portraits or visions of cupids
and in these rooms the students raise their hands
and learn the stories of the world

For library books in alphabetical order
and family businesses that failed
and the house with the boarded windows
and the gap in the middle of a sentence
and the envelope we keep mailing ourselves

For every hopeful morning given and given
and every future rough edge
and every afternoon
turning over in its sleep

By Naomi Shihab Nye, from 19 Varieties of Gazelle.

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14 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

HONDA PAVAROTTI

I'm driving on the dark highway
when the opera singer on the radio
opens his great mouth
and the whole car plunges down the canyon of his throat.

So the night becomes an aria of stars and exit signs
as I steer through the galleries
of one dilated Italian syllable
after another. I love the passages in which

the rich flood of the baritone
strains out against the walls of the esophagus,
and I love the pauses
in which I hear the tenor's flesh labor to inhale

enough oxygen to take the next plummet
up into the chasm of the violins.
In part of the song, it sounds as if the singer
is being squeezed by an enormous pair of tongs

while his head and legs keep kicking.
In part of the song, it sounds as if he is
standing in the middle of a coliseum,
swinging a 300-pound lion by the tail,

the empire of gravity
conquered by the empire of aerodynamics,
the citadel of pride in flames
and the citizens of weakness
celebrating their defeat in chorus,

joy and suffering made one at last,
joined in everything a marriage is alleged to be,
though I know the woman he is singing for
is dead in a foreign language on the stage beside him,
though I know his chain mail is made of silver-painted plastic
and his mismanagement of money is legendary,
as I know I have squandered
most of my own life

in a haze of trivial distractions,
and that I will continue to waste it.
But wherever I was going, I don't care anymore,
because no place I could arrive at

is good enough for this, this thing made out of experience
but to which experience will never measure up.
And that dark and soaring fact
is enough to make me renounce the whole world

or fall in love with it forever.

By Tony Hoagland, from Donkey Gospel.

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