Ginny Bates: The Shopping Spree at PSAW

(PSAW, 404 Pine Street, Burlington, Vermont)

This is a follow-up to the previous chapter of my novel-in-progress, Ginny Bates, where Myra and Gina go to the Alison Bechdel/Phranc art show at Pine Street Art Works, the gallery of Liza Cowan, and buy a great deal of woman-produced or woman-managed art. The final tally is after the fold.

If you are already a familiar reader, begin below. If you need background, check the links in the sidebar on the right, fifth item down, to get caught up.


WHAT MYRA AND GINNY BOUGHT AT PINE STREET ART WORKS:

For Allie:
(Chickens in White Frame, painting by Liza Cowan -- for Allie, who reminisces often about her Nana's chickens)

For Edwina:
(Mad Beads, a bracelet for Edwina)

For Chris:
(Blue Rider, painting by Liza Cowan -- for Chris, of course)

For Sima:
(Mikie the Yeshiva Girl, photo by Liza Cowan -- for Sima, who thinks its a hoot)

For Gillam:
(A camera lamp by Christy Mitchell, photo by Liza Cowan -- for Gillam)

(Found Reference, by Cara Barer -- for Gillam, who says it pains him to look at a book treated this way, but still it is compelling)

For Margie:
(Paper Sculpture Flip Flops, by Phranc -- for Margie, who got the joke. Liza strongly urged them to have a lucite box made to store these in.)

(A FAKE! Leger Flashbag, by Liza and Flashbags -- for Margie)

For Carly:
(Tractor Seat chair by John B. Marius, for Carly -- he says it's more comfortable than it looks)

For themselves:
(Photo by Liza Cowan, to go in Myra's I mean their kitchen)

(Photo by Liza Cowan -- Myra says the L stands for Lesbian; she put this in their bedroom where it's the first thing she sees when she wakes up everyday)

(Tara with Cherries, by Liza Cowan -- again, Myra had to have this, and she wound up putting it in their bedroom as well)

Plus, for everyone they knew, a copy of Alison Bechdel's tour-de-force book, Fun Home.

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