Showing posts with label Poem A Day. Show all posts
Showing posts with label Poem A Day. Show all posts

Tuesday, April 30, 2013

30 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE


      
(September, 1956, New York, NY by Vivian Maier)

      

TAXI

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?



By Amy Lowell

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Monday, April 29, 2013

29 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(Hare on Bedfordshire farm; photo by Owen Hearn)

TWO TRAMPS IN MUD TIME

Out of the mud two strangers came
And caught me splitting wood in the yard,
And one of them put me off my aim
By hailing cheerily "Hit them hard!"
I knew pretty well why he had dropped behind
And let the other go on a way.
I knew pretty well what he had in mind:
He wanted to take my job for pay.


Good blocks of oak it was I split,
As large around as the chopping block;
And every piece I squarely hit
Fell splinterless as a cloven rock.
The blows that a life of self-control
Spares to strike for the common good,
That day, giving a loose my soul,
I spent on the unimportant wood.


The sun was warm but the wind was chill.
You know how it is with an April day
When the sun is out and the wind is still,
You're one month on in the middle of May.
But if you so much as dare to speak,
A cloud comes over the sunlit arch,
A wind comes off a frozen peak,
And you're two months back in the middle of March.


A bluebird comes tenderly up to alight
And turns to the wind to unruffle a plume,
His song so pitched as not to excite
A single flower as yet to bloom.
It is snowing a flake; and he half knew
Winter was only playing possum.
Except in color he isn't blue,
But he wouldn't advise a thing to blossom.


The water for which we may have to look
In summertime with a witching wand,
In every wheelrut's now a brook,
In every print of a hoof a pond.
Be glad of water, but don't forget
The lurking frost in the earth beneath
That will steal forth after the sun is set
And show on the water its crystal teeth.


The time when most I loved my task
The two must make me love it more
By coming with what they came to ask.
You'd think I never had felt before
The weight of an ax-head poised aloft,
The grip of earth on outspread feet,
The life of muscles rocking soft
And smooth and moist in vernal heat.


Out of the wood two hulking tramps
(From sleeping God knows where last night,
But not long since in the lumber camps).
They thought all chopping was theirs of right.
Men of the woods and lumberjacks,
The judged me by their appropriate tool.
Except as a fellow handled an ax
They had no way of knowing a fool.


Nothing on either side was said.
They knew they had but to stay their stay
And all their logic would fill my head:
As that I had no right to play
With what was another man's work for gain.
My right might be love but theirs was need.
And where the two exist in twain
Theirs was the better right--agreed.


But yield who will to their separation,
My object in living is to unite
My avocation and my vocation
As my two eyes make one in sight.
Only where love and need are one,
And the work is play for mortal stakes,
Is the deed ever really done
For Heaven and the future's sakes.



By Robert Frost

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Sunday, April 28, 2013

28 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(Seated Mother Goddess flanked by two lionesses from Çatalhöyük, Turkey; Neolithic age about 6000-5500 BCE, today in Museum of Anatolian Civilizations in Ankara)

I'm not a girl
    I'm a hatchet
I'm not a hole
    I'm a hole mountain
I'm not a fool
    I'm a survivor
I'm not a pearl
    I'm the Atlantic Ocean
I'm not a good lay
 
    I'm a straight razor
look at me as if you had never seen a woman before
I have red, red hands and much bitterness

 

By Judy Grahn

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Saturday, April 27, 2013

27 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE


MY PAPA'S WALTZ

 
The whiskey on your breath
Could make a small boy dizzy;
But I hung on like death:
Such waltzing was not easy.

We romped until the pans
Slid from the kitchen shelf;
My mother's countenance
Could not unfrown itself.

The hand that held my wrist
Was battered on one knuckle;
At every step you missed
My right ear scraped a buckle.

You beat time on my head
With a palm caked hard by dirt,
Then waltzed me off to bed
Still clinging to your shirt.

 

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Friday, April 26, 2013

26 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE


(Georgia O'Keefe with her lover Rebecca Strand)


XII

Sleeping, turning in turn like planets
rotating in their midnight meadow:
a touch is enough to let us know
we're not alone in the universe, even in sleep:
the dream - ghosts of two worlds
walking their ghost-towns, almost address each other.
I've walked to your muttered words
spoken light - or dark - years away,
as if my own voice had spoken.
But we have different voices, even in sleep,
and our bodies, so alike, are yet so different
and the past echoing through our bloodstreams
is freighted with different language, different meanings -
through in any chronicle of the world we share
it could be written with new meaning
we were two lovers of one gender,
we were two women of one generation.

 
By Adrienne Rich from Twenty-One Love Poems.

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Thursday, April 25, 2013

25 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE



WILD NIGHTS

Wild Nights--Wild Nights!
Were I with thee
Wild Nights should be
Our luxury!

Futile--the Winds--
To a Heart in port--
Done with the Compass--
Done with the Chart!
Rowing in Eden


Ah, the Sea!
Might I but moor--Tonight--
In Thee!

 
By Emily Dickinson

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Wednesday, April 24, 2013

24 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE


(Mary Jo Atkins Barnett, December 1964, Dilley, Texas; gone 28 years today)
 

THE COURAGE THAT MY MOTHER HAD


The courage that my mother had
Went with her, and is with her still:
Rock from New England quarried;
Now granite in a granite hill.

The golden brooch my mother wore
She left behind for me to wear;
I have no thing I treasure more:
Yet, it is something I could spare.

Oh, if instead she'd left to me
The thing she took into the grave!-
That courage like a rock, which she
Has no more need of, and I have.


By Edna St. Vincent Millay, from Collected Poems.

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Tuesday, April 23, 2013

23 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE


ABOU BEN ADHEM

Abou Ben Adhem (may his tribe increase!)
Awoke one night from a deep dream of peace,
And saw, within the moonlight in his room,
Making it rich, and like a lily in bloom,
An angel writing in a book of gold:—
Exceeding peace had made Ben Adhem bold,
And to the Presence in the room he said
"What writest thou?"—The vision raised its head,
And with a look made of all sweet accord,
Answered "The names of those who love the Lord."
"And is mine one?" said Abou. "Nay, not so,"
Replied the angel. Abou spoke more low,
But cheerly still, and said "I pray thee, then,
Write me as one that loves his fellow men."

The angel wrote, and vanished. The next night
It came again with a great wakening light,
And showed the names whom love of God had blessed,
And lo! Ben Adhem's name led all the rest.
 

By James Leigh Henry Hunt

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Monday, April 22, 2013

22 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(Blackheaded gull on water reflecting offices at docklands of Canary Wharf; photo by Eve Tucker)


ADVICE TO MYSELF


Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don't patch the cup.
Don't patch anything. Don't mend. Buy safety pins.
Don't even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don't keep all the pieces of the puzzles
or the doll's tiny shoes in pairs, don't worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic—decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don't even think of cleaning out.
That closet stuffed with savage mementos.
Don't sort the paper clips from screws from saved baby teeth
or worry if we're all eating cereal for dinner
again. Don't answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in through the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don't read it, don't read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.


By Louise Erdrich from Original Fire.

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Sunday, April 21, 2013

21 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(Painting by Andrew Wyeth)


MEETING THE LIGHT COMPLETELY


Even the long-beloved
was once
an unrecognized stranger.

Just so,
the chipped lip
of a blue-glazed cup,
blown field
of a yellow curtain,
might also,
flooding and falling,
ruin your heart.

A table painted with roses.
An empty clothesline.

Each time,
the found world surprises—
that is its nature.

And then
what is said by all lovers:
"What fools we were, not to have seen."


By Jane Hirshfield, from The October Palace.

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Saturday, April 20, 2013

20 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE



 
THE COMING OF LIGHT


Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow's dust flares into breath.


By Mark Strand, from New Selected Poems.

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Friday, April 19, 2013

19 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Coyote Buttes, Utah)


EVERY LAND



The holy land is everywhere. —Black Elk

Watch where the branches of the willows bend
See where the waters of the rivers tend
Graves in the rock, cradles in the sand
Every land is the holy land.

Here was the battle to the bitter end
Here's where the enemy killed the friend
Blood on the rock, tears on the sand
Every land is the holy land.

Willow by the water bending in the wind
Bent till it's broken and it cannot stand
Listen to the word the messengers send
Life from the living rock, death in the sand
Every land is the holy land.


By Ursula K. Le Guin, from Finding My Elegy.

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Thursday, April 18, 2013

18 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(Lion sleeping before storm in Kalihari; photo by Hannes Lochner)


THE SECOND COMING

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

 William Butler Yeats

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Wednesday, April 17, 2013

17 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Talvikettu -- Winter Fox, 2012-13 by Paula Mela)


PARENTS' DAY


I breathed shallow as I looked for her
in the crowd of oncoming parents, I strained
forward, like a gazehound held back on a leash,
then I raced toward her. I remember her being
much bigger than I, her smile of the highest
wattage, a little stiff, sparkling
with consciousness of her prettiness—I
pitied the other girls for having mothers
who looked like mothers, who did not blush.
Sometimes she would have braids around her head like a
goddess or an advertisement for California raisins—
I worshipped her cleanliness, her transfixing
irises, sometimes I thought she could
sense a few genes of hers
dotted here and there in my body
like bits of undissolved sugar
in a recipe that did not quite work out.
For years, when I thought of her, I thought
of the long souring of her life, but on Parents' Day
my heart would bang and my lungs swell so I could
feel the tucks and puckers of embroidered
smocking on my chest press into my ribs,
my washboard front vibrate like scraped
tin to see that woman arriving
and to know she was mine.



By Sharon Olds, from The Wellspring.

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Tuesday, April 16, 2013

16 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Dragonfly in rain by Shikhei Goh)


WHAT IS DIVINITY


What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch,
These are the measures destined for her soul.




By Wallace Stevens, from The Collected Poems of Wallace Stevens.

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Monday, April 15, 2013

15 APRIL 2013: MAGGIE'S POETRY SELECTION FOR YOUR PLEASURE

(1931 Frigidaire ad from Liza Cowan)

PRAYER IN MY BOOT


For the wind no one expected

For the boy who does not know the answer

For the graceful handle I found in a field
attached to nothing
pray it is universally applicable

For our tracks which disappear
the moment we leave them

For the face peering through the cafe window
as we sip our soup

For cheerful American classrooms sparkling
with crisp colored alphabets
happy cat posters
the cage of the guinea pig
the dog with division flying out of his tail
and the classrooms of our cousins
on the other side of the earth
how solemn they are
how gray or green or plain
how there is nothing dangling
nothing striped or polka-dotted or cheery
no self-portraits or visions of cupids
and in these rooms the students raise their hands
and learn the stories of the world

For library books in alphabetical order
and family businesses that failed
and the house with the boarded windows
and the gap in the middle of a sentence
and the envelope we keep mailing ourselves

For every hopeful morning given and given
and every future rough edge
and every afternoon
turning over in its sleep


By Naomi Shihab Nye, from 19 Varieties of Gazelle.

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Sunday, April 14, 2013

14 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE



HONDA PAVAROTTI


I'm driving on the dark highway
when the opera singer on the radio
opens his great mouth
and the whole car plunges down the canyon of his throat.

So the night becomes an aria of stars and exit signs
as I steer through the galleries
of one dilated Italian syllable
after another. I love the passages in which

the rich flood of the baritone
strains out against the walls of the esophagus,
and I love the pauses
in which I hear the tenor's flesh labor to inhale

enough oxygen to take the next plummet
up into the chasm of the violins.
In part of the song, it sounds as if the singer
is being squeezed by an enormous pair of tongs

while his head and legs keep kicking.
In part of the song, it sounds as if he is
standing in the middle of a coliseum,
swinging a 300-pound lion by the tail,

the empire of gravity
conquered by the empire of aerodynamics,
the citadel of pride in flames
and the citizens of weakness
celebrating their defeat in chorus,

joy and suffering made one at last,
joined in everything a marriage is alleged to be,
though I know the woman he is singing for
is dead in a foreign language on the stage beside him,
though I know his chain mail is made of silver-painted plastic
and his mismanagement of money is legendary,
as I know I have squandered
most of my own life

in a haze of trivial distractions,
and that I will continue to waste it.
But wherever I was going, I don't care anymore,
because no place I could arrive at

is good enough for this, this thing made out of experience
but to which experience will never measure up.
And that dark and soaring fact
is enough to make me renounce the whole world

or fall in love with it forever.


By Tony Hoagland, from Donkey Gospel.

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Saturday, April 13, 2013

13 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE



(Long exposure, fireflies; by Tsuneaki Hiramatsu)
 
IN THE MOMENT

Some days the pond
wears a glaze of yellow pollen.

Some days it is clean-swept.
The trout leap up, feasting on insects.

A modest size, it sits
like a soup tureen in a surround of white

pine where Rosie, 14 lbs., some sort
of rescued terrier, part bat

(the ears), part anteater (the nose),
shyly paddles in the shallows

for salamanders, frogs
and little painted turtles. She logged

ten years down south in a kennel, secured
in a crate at night. Her heart murmur

will carry her off, no one can say when.
Meanwhile she is rapt in

the moment, our hearts leap up observing.
Dogs live in the moment, pursuing

that brilliant dragonfly called pleasure.
Only we, sunstruck in this azure

day, must drag along the backpacks
of our past, must peer into the bottom muck

of what's to come, scanning the plot
for words that say another year, or not.


By Maxine Kumin, from Where I Live

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Friday, April 12, 2013

12 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE


Tarantella

Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the spreading
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark veranda)?
Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn't got a penny,
And who weren't paying any,
And the hammer at the doors and the din?
And the hip! hop! hap!
Of the clap
Of the hands to the swirl and the twirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of the clapper to the spin
Out and in--
And the ting, tong, tang of the guitar!
Do you remember an Inn,
Miranda?
Do you remember an Inn?

Never more;
Miranda,
Never more.
Only the high peaks hoar;
And Aragon a torrent at the door.
No sound
In the walls of the halls where falls
The tread
Of the feet of the dead to the ground,
No sound:
But the boom
Of the far waterfall like doom.

By Hilaire Belloc
 
(Happy anniversary to the love of my life, Margot!)

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Thursday, April 11, 2013

11 APRIL 2013: MAGGIE'S SELECTION FOR YOUR POETRY PLEASURE

(Photo by Vivian Maier)


THIS WAS ONCE A LOVE POEM


This was once a love poem,
before its haunches thickened, its breath grew short,
before it found itself sitting,
perplexed and a little embarrassed,
on the fender of a parked car,
while many people passed by without turning their heads.

It remembers itself dressing as if for a great engagement.
It remembers choosing these shoes,
this scarf or tie. Once, it drank beer for breakfast,
drifted its feet
in a river side by side with the feet of another.

Once it pretended shyness, then grew truly shy,
dropping its head so the hair would fall forward,
so the eyes would not be seen. It spoke with passion of history, of art.
It was lovely then, this poem.
Under its chin, no fold of skin softened.
Behind the knees, no pad of yellow fat.
What it knew in the morning it still believed at nightfall.
An unconjured confidence lifted its eyebrows, its cheeks.

The longing has not diminished.
Still it understands. It is time to consider a cat,
the cultivation of African violets or flowering cactus. Yes, it decides:
many miniature cacti, in blue and red painted pots.

When it finds itself disquieted
by the pure and unfamiliar silence of its new life,
it will touch them-one, then another-
with a single finger outstretched like a tiny flame.


By Jane Hirshfield, from Given Sugar, Given Salt.

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