Showing posts with label Sappho. Show all posts
Showing posts with label Sappho. Show all posts

Thursday, April 29, 2010

'WE ARE ALL LESBIANS"


In 1973, the year I graduated high school, Violet Press (which I think was mostly Fran Winant) published a chapbook-sized anthology called We Are All Lesbians. It was the first lesbian poetry anthology in America and likely the world. I got a copy in around 1974 which I still own.

It was mostly handwritten with line drawings and press-on type titles. You simply can’t comprehend the impact of early works like this if you didn’t live through those times. It was like getting a letter from the future.

The entire anthology is available online via the Lesbian Poetry Archive. I’m copying below three of the poems which affected me the most then and have stood up through the years.


NIGHT NOISES

by Lee Lally (for Jane)

You woke from a dream,
the revolution
in the streets
calling you out.
I had to tell you
the noises were not in your dream.
The army of lovers
was saying goodnight
at the foot of the stairs.
Loud sounds.
It was the revolution.
You were not sleeping
or dreaming
either.


INVOCATION TO SAPPHO

by Elsa Gidlow

Sappho
Sister/Mother
free-
souled, fire-hearted
Psappha of Mitylene on
sea-lapped Lesbos
miracle of a woman
(Strabo wrote)
now now
let me declare
devotion.

Not light years love years
oh how many love years
across the fields of the dead
does your fragrance
travel to me?
Since maidenhood in brain blood
by you haunted
in my armpits I have breathed
sweat of your passion
in the burning crotch of the lover
tasted your honey
heard felt in my pulse
day-long
night-through
lure of your song's beat
insistently echo.
By dust of five-and-twenty centuries
not smothered
by book-consuming flames of
the hate-filled churchmen
unsilenced
your fame only haloed made
more splendid.
Sappho, little and dark,
the Beautiful, Plato called you
(though his Republic had
grudging use for poets)
Sappho, whose veins ran fire
whose nerves
quivered to loves illicit now
in your day
honored by the noblest
Sappho, all roses,
do we not touch
across the censorious years?


GERTRUDE AND EMILY

by Fran Winant

Gertrude I have your voice on a record
and I listen to it
when I do exercises in the morning
feeling your rhythms on my skin
Emily when I’m lonely
I think of your face
with its quiet look of endurance
you’re my friends
marking places in time
where my consciousness existed
before me
you had to hide
and so became obscure
Gertrude your language was called hermetic
as in 'hermetically sealed'
you were a nonsense woman
they tried to make you a clown
your writing was called
stream of consciousness
so it couldn’t make sense
your consciousness
couldn’t be allowed to make sense
when you talked about
"tender buttons"
were those breasts you meant
when you asked
"when do I see lightning"
and answered
"every night"
were you talking about making love
Emily who thought to look at you
myth of a spinster
wounded by emotions
too deep for physical touch
religious mystic mulling over
god-bones snow flakes and death
when you praised madnessand insisted
"the soul selects its own society"
described the people around you
as a world "that never wrote to me"
everyone thought
poor woman
what made her stay indoors so long
and never come out
if only we knew
well now we do
Gertrude at least you lived
the life you wanted
you would have felt better
if you could have said it
even at the expense of not creating
that hard to follow style
you needed
to be able to write at all
without quite lying
Emily if only you could have
lived it
instead of having to bite your lip
and count your losses
whispering
"my life closed twice
before its close"
I don’t know if being gay
is part of what you’d want
to be remembered for now
but you’re my friends
in our past lives
we were all
Gertrude Stein and Emily Dickinson
in your present lives
you are us
telling the truth
and living it too
at last

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Monday, April 26, 2010

POEMS AND FRAGMENTS BY SAPPHO

(Sappho, painted by Charles Mengin, 1877)

Despite my mother flooding our house with books as much as she was able, we often lived in places without libraries and for me they were magnetic, magical places. (Still are.) When I went to college, I went to the massive university libary every day. I often simply wandered the stacks, pulling out volumes whose title looked interesting, stacking them in heaps at my carrel to browse or check out. I looked up "lesbian" and "gay" in the card catalogue but was still too frightened to check one of these books out, even from the women I suspected were all dykes at the front desk.

Until one day, I was walking along a dimly lit, dusty row and a small red volume literally fell off the shelf in front of me. I was startled, and glanced inside before returning it to its place: It was a tiny collection of Sappho's poetry. I felt cold run down my spine, and looked around to see if anyone else had witnessed this. But nobody was near. I stood there and read until a fragment, about a red dress, sent more shivers through me. After that, I was able to find the courage to check out "lesbian" books, always stuffed between several other innocuous tomes.


Biography of Sappho by Alix North
"One of the great Greek lyrists and few known female poets of the ancient world, Sappho was born some time between 630 and 612 BC. She was an aristocrat who married a prosperous merchant, and she had a daughter named Cleis. Her wealth afforded her with the opportunity to live her life as she chose, and she chose to spend it studying the arts on the isle of Lesbos.

"In the seventh century BC, Lesbos was a cultural center. Sappho spent most her time on the island, though she also traveled widely throughout Greece. She was exiled for a time because of political activities in her family, and she spent this time in Sicily. By this time she was known as a poet, and the residents of Syracuse were so honored by her visit that they erected a statue to her.

"Sappho was called a lyrist because, as was the custom of the time, she wrote her poems to be performed with the accompaniment of a lyre. Sappho composed her own music and refined the prevailing lyric meter to a point that it is now known as sapphic meter. She innovated lyric poetry both in technique and style, becoming part of a new wave of Greek lyrists who moved from writing poetry from the point of view of gods and muses to the personal vantage point of the individual. She was one of the first poets to write from the first person, describing love and loss as it affected her personally.

"Her style was sensual and melodic; primarily songs of love, yearning, and reflection. Most commonly the target of her affections was female, often one of the many women sent to her for education in the arts. She nurtured these women, wrote poems of love and adoration to them, and when they eventually left the island to be married, she composed their wedding songs. That Sappho's poetry was not condemned in her time for its homoerotic content (though it was disparaged by scholars in later centuries) suggests that perhaps love between women was not persecuted then as it has been in more recent times. Especially in the last century, Sappho has become so synonymous with woman-love that two of the most popular words to describe female homosexuality--lesbian and sapphic have derived from her. "


"To Andromeda"

That country girl has witched your wishes,
all dressed up in her country clothes
and she hasn't got the sense
to hitch her rags above her ankles.

--------------------------

He is more than a hero
He is a god in my eyes--
the man who is allowed
to sit beside you--he
who listens intimately
to the sweet murmur of
your voice, the enticing
laughter that makes my own
heart beat fast. If I meet
you suddenly, I can't
speak--my tongue is broken;
a thin flame runs under
my skin; seeing nothing,
hearing only my own ears
drumming, I drip with sweat;
trembling shakes my body
and I turn paler than
dry grass. At such times
death isn't far from me

-------------------------------

Stand up and look at me, face to face
My friend,
Unloose the beauty of your eyes...

-------------------------------

Love shook my heart,
Like the wind on the mountain
Troubling the oak-trees.

----------------------------

The Moon is down,
The Pleiades. Midnight,
The hours flow on,
I lie, alone.

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Thursday, July 2, 2009

HUBBLE THURSDAY

Pleiades, or the Seven Sisters.
(The Pleiades, visible to the naked-eye [just 430 light years away], are a 100 million year old open star cluster. They contain well over a thousand stars; the "spikes" of light surrounding the bright stars are due to the diffraction of light at the secondary mirror supports. Click on image to enlarge.)

Every Thursday, I post a very large photograph of some corner of space captured by the Hubble Space Telescope and available online from the picture album at HubbleSite.


The moon has set, and the Pleiades; it is midnight, the time is going by, and I sleep alone. ~~Fragment #52 by Sappho.

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Monday, June 30, 2008

WHY THERE ARE NO SKELETONS OF WIMMIN MARTYRS


Here's another short-short story from my early days as a writer. This was published in Sinister Wisdom #11, Fall 1979. I wrote it while I lived in the lesbian land collective in Durango, Colorado.

Just like the sweet apple reddens on the tip of the branch,
upon the top of the highest, [which] the apple-pickers forgot.
Yet they didn't really forget; but they could not reach it.
-- Sappho




WHY THERE ARE NO SKELETONS OF WIMMIN MARTYRS: A Story

"Of course, many of my acquaintances from the outside are struck by the oddity of this womon who lives with me. They have said she seems to be, at times, removed from reality, or a visionary. I think I will have to agree with them on the word visionary. She is a visionary, she has been called such for several centuries, though they do not know it.

"As for the womon, she is very happy here, incredibly happy. If she were not, I would return her, or find another place for her. But she wishes to stay by me, in my bed, in my world; and upon her real death, what she has written will fill several more volumes. The dry period of her last decade before I came has vanished.

"I think she is most pleased when I show her the books we were taught from in school, for in them she is held up as the example, the Writer, that she feared she never was. It must be a stretch of the self-concept to know that children are reading words she wrote five hundred years ago, reading and understanding and being swept with an emotion half a millenium old. No, wait -- her greatest pleasure came the time I took her to a play based on her life. She laughed long afterward, and when she could finally speak, she said 'They were so close, and yet so far from knowing.'

"Here in the collective, of course, she can be herself, and that is who we know and love. Age has lessened the 'boldness like a wren' of her, nor the chestnut in her hair. And she still wears white, but her hair falls free over her shoulders, and the Amazon just arrived next door is teaching her to ride a horse.

"And when we love, she is a girl again, a wild-hearted girl who loved too greatly for her time but not for mine. I am trying, very hard, to make up for the decades she lived with a broken heart. I think I can do this because I loved her for decades, reading the lines both written and silent that told how like me she was.

"And her oddity to those not part of the collective, part of the secret, is no real threat. We are all considered to be odd, we here on the sprawl of land and mountain we have claimed as ours for a livelihood and a home. And if our numbers grow suddenly, it is explained by the appeal of our freedom, the lure that calls in wimmin needing a sanctuary.

"And this is no lie. From the very moment I made my discovery (or was given the secret by the Mother, as Beata insists), I knew how I would use it. I had waited too long for the womon separated from me by my birthtime to consider anything else. The rest of it came when I realized that my dream was not alone, that others of us here had room and need for their own heroines. And so now we are great gathering of lovers, poets old and new, who listen to one another with an intensity that can only grow from having been torn apart.

"Next to the first journey, where I gained my love, the best was whisking the French maid from the flames. She wears trousers and shot hair with no fear now, and hears the voices of angels each time she speaks with us. Her eyes are so very brown, and the pain is faded altogether.

"Last week I returned with the Amazon, from the Steppes, who could see the erosion of her nation-tribe coming soon. I am going back often to that place -- there are many who wished to come. What? Yes, of course the lied, all the accounts of what happened to our eldermothers were lies; they couldn't very well say that a witch appeared as they neared death and they both chuckled merrily as they vanished, now could they?

"I tell you all this, my friend, because you have joined our clan and you can be trusted with the secret. Also, I sense that you may have your own request to make of me, a need to save someone from the womon-hatred of her own time. Aha! I thought so; well, it won't be so difficult. Can you get me her last known coordinates and the date of her disappearance? Good. What did friends call her? Melly? Alright, then, I shall bring Melly to you tomorrow. Only you must promise to give her all the room the needs to adjust -- and you must let her return cheerfully if she prefers that to being part of now.

"Yes, I would have returned my scribbler if she had asked it. But I think I would have gone with her, to ease the loneliness of the huge old house and that cold world. You see, I have always loved her. And I wanted to show my love from the first time I read the plea in 'My life closed twice before its close --'

"Hush, now, here comes the mother of us all. Yes, she is quite short, and dark, but the Greeks were in those days. Wait till you hear the verse she composed yesterday…"


© Maggie Jochild.

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Tuesday, December 11, 2007

LIBRARY LOVEFEST


When I began college in the fall of 1973, I was commuting back and forth that first semester and learned to hang out in the library when I had long breaks between classes. I didn't have the money to buy even Cokes in a cafe, and I'd always been enamored of libraries anyhow -- live in towns as a child where the nearest library is half an hour or more away by car and you come to see them as sacred zones.

I would choose a carrel near the back right wall (don't ask me why the right), work for a while on assignments, then take a break by roaming the stacks and pulling out books that looked interesting. I used the corner stairwells to go up and down levels; I was painfully shy, and I did not have on clothes that fit the fashion of the times. If I'd had a cloak of invisibility, I'd have lived in it.

By the second semester, I was living in town but didn't have enough money to adequately heat my residence nor to eat two days a week. On those days, Tuesdays and Thursdays, I stayed at the library until closing. There it was comfortingly warm or cool, depending on the weather, had bright lights and extreme distraction from my belly.

Some time during that first year, I gathered up enough courage to go the card catalogue -- right out in the open of the first floor, within sight of the sitting area and the check-out desk -- and look up "Lesbian" (also "Lesbians" and "Lesbianism"). I made sure no one was nearby when I did so, and I was prepared to flip to cards further on (Lethe, lichen, London Bridge) if anyone approached. I'd pull a square of scrap paper from the wooden boxes of them on top of each row and write down a couple of call numbers -- no titles, of course.

After using the stairs to find the right floor, I'd slowly close in on the book, my pulse hammering, sweat greasing my forehead. When I found the magic text (it was never checked out, not in 1973), I'd hide it between several other larger volumes carried with the spines down and walk quickly to my carrel, praying I wouldn't run into anyone from one of my classes.

Once I'd sat for a while, got my breath back and cleared my head, I'd dive into whatever I'd scored.

I read a lot of terrible shit about homosexuality this way. I began but didn't finish The Well of Loneliness. I learned about inverts and tribades, passing women and suicide. It was hard to swallow on an empty stomach, but it was something. There was no question of checking out the book: I could not have done that in a million years. When I left, I'd hide the volume in the stack of another abandoned carrel, so no one could possibly trace it to me.

And, as feminism entered the news, I'd memorize names like Susan Brownmiller, Gloria Steinem, Shulamith Firestone, Kate Millett, and look them up as well. When I had their books back at the carrel, I'd look in the subject index first to see if Lesbian or Homosexuality was listed. It wasn't always, and if it was, there were only a few citations. Enough to keep me from checking out those books, too, but not enough to give me a place to stand.

You simply cannot imagine how hungry I was. Unless you lived through it, too.

Then, one day, I was roaming the stacks on a generic whatever-caught-my-eye break when a small volume literally fell from a metal shelf when I walked by. I picked it up to replace it, glancing at the cover: It was a collection of Sappho. I'm not making this up. I froze in my tracks, looked around in a panic to see if anyone was within range, but I was utterly alone.

I was so shocked, I broke protocol: I opened the book there, out in the open. On the page in front of me I read a fragment that had something about a red dress. And I felt a drench of emotion crash over me. I literally sat down on the floor because I thought I might pass out. I closed the book and hid it on a shelf behind me before I closed my eyes and repeated the lines in my head. Over the gap of centuries, continents, and unimaginable difference, I understood the heat behind what she was saying. I knew what she meant.

Someone else really did think like me.

I wasn't able to take the book back to my carrel; it was too volatile. I left it where I had hidden it, and I did go back a few times to read another poem or two.

Things changed, not just inside me but also in the world Out There. The next semester, when I checked the card catalogue, there was a new entry for Lesbian Nation. I almost passed out with anticipation. When I got it back to my carrel, it was a book that had clearly been read -- it had lost its dust jacket and was now just a cloth cover with an easy to open spine. But the name was big on the spine.


That was the first book I ever checked out. I hid it in a stack of staid others, of course, but at the check-out counter stacks were disassembled so covers could be opened and cards slid from pockets (they were still using the old methods then). The librarian didn't bat an eye; if she had, I would have claimed it was a mistake and abandoned it on the counter. Instead, I hugged it to my chest as I scrambled for my car, and once home, I hunkered under the blankets to keep warm as I read it through that night.

It wasn't an especially good book, I discovered. But I had checked it out, and that was the main thing.

The flood of women's literature began that year, and our library seemed to buy each title as fast as they could. Now I know that libraries are hives of lesbianism, keepers of the light, and before I graduated I even made the acquaintance of one of the women who worked at that particular library. She let me in on their social network, their silent decisions about book purchases. It's quite possible those formidable women behind the counter were completely aware of which card catalogue drawer held the entry for "Lesbian" and kept a surreptitious eye out for terrified girls who dared to pull it open.

I still have no explanation for why Sappho jumped off the shelf at my feet, of course. Perhaps I imagined it. Although events like that have happened since, so ... perhaps not.

If I had thought I was being watched -- if I had had to enter a search on a computer screen that was in any way linked to my student ID, or if the stacks were closed so books had to be requested -- I'd never have had the nerve to make my first, tentative forays toward light and identity. It's not 1974 any more, and the information about Lesbianism is "out there" despite the desperate attempts of the Right to roll all us back to 1958. But for isolated, rural kids like me, I don't know if it's actually any easier to be brave.

I think about that time in my life whenever I read about the Patriot Act. The article "Librarians and the Patriot Act" (by Emily Drabinski in Radical Teacher, 22 December 2006), states "The right to free inquiry relies on a right to privacy. If a user suspects that her reading habits will be tracked, her access to information is fundamentally abridged." Exactly.

I read about the creative ways librarians have found to get around the legal gag order of the Patriot Act, the signs they can (and do) post at the check-out counters and computer search screens. I read about how Santa Cruz librarians (god how I love Santa Cruz) began shredding documents daily to keep records unavailable from prying eyes. I read about how librarians are shouldering the burden of keeping libraries accessible to the homeless when all other public institutions turn them away. I remember the librarians I've known and loved, and I find it hard to believe they aren't secretly doing more to protect us all. When we've reclaimed our democracy from Bush and Cheney, perhaps we'll get to hear these stories of ingenuity and risk, just like some of us from the 70s can tell our stories about how we -- well, okay, maybe it's not time yet. Still, just as I like to think about Harriet Tubman, I like to think about librarians whose whole meaning of life derives from access to free, world-expanding information for the least among us.

Thank you, sisters and brothers. You made my existence possible. Let's honor them and help them out whenever we can, all right, readers? Go to Jessamyn West's Librarian.net (Puttin' the Rarin Back in Librarian Since 1999), read up and take steps as requested.

And if you know that line from Sappho about the red dress that I read in 1973, please send it along -- I'd like to read it again.

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