Thursday, April 29, 2010

'WE ARE ALL LESBIANS"


In 1973, the year I graduated high school, Violet Press (which I think was mostly Fran Winant) published a chapbook-sized anthology called We Are All Lesbians. It was the first lesbian poetry anthology in America and likely the world. I got a copy in around 1974 which I still own.

It was mostly handwritten with line drawings and press-on type titles. You simply can’t comprehend the impact of early works like this if you didn’t live through those times. It was like getting a letter from the future.

The entire anthology is available online via the Lesbian Poetry Archive. I’m copying below three of the poems which affected me the most then and have stood up through the years.


NIGHT NOISES

by Lee Lally (for Jane)

You woke from a dream,
the revolution
in the streets
calling you out.
I had to tell you
the noises were not in your dream.
The army of lovers
was saying goodnight
at the foot of the stairs.
Loud sounds.
It was the revolution.
You were not sleeping
or dreaming
either.


INVOCATION TO SAPPHO

by Elsa Gidlow

Sappho
Sister/Mother
free-
souled, fire-hearted
Psappha of Mitylene on
sea-lapped Lesbos
miracle of a woman
(Strabo wrote)
now now
let me declare
devotion.

Not light years love years
oh how many love years
across the fields of the dead
does your fragrance
travel to me?
Since maidenhood in brain blood
by you haunted
in my armpits I have breathed
sweat of your passion
in the burning crotch of the lover
tasted your honey
heard felt in my pulse
day-long
night-through
lure of your song's beat
insistently echo.
By dust of five-and-twenty centuries
not smothered
by book-consuming flames of
the hate-filled churchmen
unsilenced
your fame only haloed made
more splendid.
Sappho, little and dark,
the Beautiful, Plato called you
(though his Republic had
grudging use for poets)
Sappho, whose veins ran fire
whose nerves
quivered to loves illicit now
in your day
honored by the noblest
Sappho, all roses,
do we not touch
across the censorious years?


GERTRUDE AND EMILY

by Fran Winant

Gertrude I have your voice on a record
and I listen to it
when I do exercises in the morning
feeling your rhythms on my skin
Emily when I’m lonely
I think of your face
with its quiet look of endurance
you’re my friends
marking places in time
where my consciousness existed
before me
you had to hide
and so became obscure
Gertrude your language was called hermetic
as in 'hermetically sealed'
you were a nonsense woman
they tried to make you a clown
your writing was called
stream of consciousness
so it couldn’t make sense
your consciousness
couldn’t be allowed to make sense
when you talked about
"tender buttons"
were those breasts you meant
when you asked
"when do I see lightning"
and answered
"every night"
were you talking about making love
Emily who thought to look at you
myth of a spinster
wounded by emotions
too deep for physical touch
religious mystic mulling over
god-bones snow flakes and death
when you praised madnessand insisted
"the soul selects its own society"
described the people around you
as a world "that never wrote to me"
everyone thought
poor woman
what made her stay indoors so long
and never come out
if only we knew
well now we do
Gertrude at least you lived
the life you wanted
you would have felt better
if you could have said it
even at the expense of not creating
that hard to follow style
you needed
to be able to write at all
without quite lying
Emily if only you could have
lived it
instead of having to bite your lip
and count your losses
whispering
"my life closed twice
before its close"
I don’t know if being gay
is part of what you’d want
to be remembered for now
but you’re my friends
in our past lives
we were all
Gertrude Stein and Emily Dickinson
in your present lives
you are us
telling the truth
and living it too
at last

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HUBBLE THURSDAY 29 APRIL 2010

(Jet in Carina)

Every Thursday, I post a very large photograph of some corner of space captured by the Hubble Space Telescope and available online from the picture album at HubbleSite, followed by poetry after the jump.


STRIPPING AND PUTTING ON

by May Swenson

I always felt like a bird blown through the world.
I never felt like a tree.

I never wanted a patch of this earth to stand in,
that would stick to me.

I wanted to move by whatever throb my muscles
sent to me.

I never cared for cars, that crawled on land or
air or sea.

If I rode, I'd rather another animal: horse, camel,
or shrewd donkey.

Never needed a nest, unless for the night, or when
winter overtook me.

Never wanted an extra skin between mine and the sun,
for vanity or modesty.

Would rather not have parents, had no yen for a child,
and never felt brotherly.

But I'd borrow or lend love of friend. Let friend be
not stronger or weaker than me.

Never hankered for Heaven, or shield from a Hell,
or played with the puppets Devil and Deity.

I never felt proud as one of the crowd under
the flag of a country.

Or felt that my genes were worth more or less than beans,
by accident of ancestry.

Never wished to buy or sell. I would just as well
not touch money.

Never wanted to own a thing that wasn't I born with.
Or to act by a fact not discovered by me.

I always felt like a bird blown through the world.
But I would like to lay

the egg of a world in a nest of calm beyond
this world's storm and decay.

I would like to own such wings as light speeds on,
far from this globule of night and day.

I would like to be able to put on, like clothes,
the bodies of all those

creatures and things hatched under the wings
of that world.

Read More...

Tuesday, April 27, 2010

(Gertrude Stein, Alice B. Toklas, and Basket)

21

by Gertrude Stein

I love my love with a v
Because it is like that
I love my love with a b
Because I am beside that
A king.
I love my love with an a
Because she is a queen
I love my love and a a is the best of them
Think well and be a king,
Think more and think again
I love my love with a dress and a hat
I love my love and not with this or with that
I love my love with a y because she is my bride
I love her with a d because she is my love beside
Thank you for being there
Nobody has to care
Thank you for being here
Because you are not there.
And with and without me which is and without she she can be late and then and how and all around we think and found that it is time to cry she and I.

(from Before the Flowers of Friendship Faded Faded)

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LOLCATS WEEKLY ROUND-UP 27 APRIL 2010

Here's the weekly best of what I've gleaned from I Can Has Cheezburger efforts. There are some really creative folks out there -- including, back with a vengeance here on the front page, our own little gator.




















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THREE BY ROBERT FROST


I don't typically write in rhyme, mostly because such poetry won't get published, but those who do it well are justly on the list of immortal greats. To do it well, you must possess not only a virtually unlimited vocabulary but, even more, the skill to hear and flawlessly replicate meter and rhythm as it occurs in tne marrow of speech. Few do it better, or make it look more easy, than Frost. He's hard to get enough of.

Below are three of his best, all deceptively short, with short words, structurally perfect, which deal with extremely complicated and often contradictory ideas. Again, worth memorizing: Having them in your head, to repeat to yourself at certain times, will serve you in ways you cannot imagine. And they'll become brand new to you again.


STOPPING BY WOODS ON A SNOWY EVENING

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.


NOTHING GOLD CAN STAY

(If you haven't read S.E. Hinton's "The Outsiders". do it now.)

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.


THE GIFT OUTRIGHT

(Frost found himself unable to remember the poem he had written to present at JFK's inauguration in 1961 and instead recited this one -- a much better choice.)

The land was ours before we were the land's.
She was our land more than a hundred years
Before we were her people. She was ours
In Massachusetts, in Virginia,
But we were England's, still colonials,
Possessing what we still were unpossessed by,
Possessed by what we now no more possessed.
Something we were withholding from our land of living,
And forthwith found salvation in surrender.
Such as we were we gave ourselves outright
(The deed of gift was many deeds of war)
To the land vaguely; realizing westward,
But still unstoried, artless, unenhanced,
Such as she was, such as she would become.

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Monday, April 26, 2010

POEMS AND FRAGMENTS BY SAPPHO

(Sappho, painted by Charles Mengin, 1877)

Despite my mother flooding our house with books as much as she was able, we often lived in places without libraries and for me they were magnetic, magical places. (Still are.) When I went to college, I went to the massive university libary every day. I often simply wandered the stacks, pulling out volumes whose title looked interesting, stacking them in heaps at my carrel to browse or check out. I looked up "lesbian" and "gay" in the card catalogue but was still too frightened to check one of these books out, even from the women I suspected were all dykes at the front desk.

Until one day, I was walking along a dimly lit, dusty row and a small red volume literally fell off the shelf in front of me. I was startled, and glanced inside before returning it to its place: It was a tiny collection of Sappho's poetry. I felt cold run down my spine, and looked around to see if anyone else had witnessed this. But nobody was near. I stood there and read until a fragment, about a red dress, sent more shivers through me. After that, I was able to find the courage to check out "lesbian" books, always stuffed between several other innocuous tomes.


Biography of Sappho by Alix North
"One of the great Greek lyrists and few known female poets of the ancient world, Sappho was born some time between 630 and 612 BC. She was an aristocrat who married a prosperous merchant, and she had a daughter named Cleis. Her wealth afforded her with the opportunity to live her life as she chose, and she chose to spend it studying the arts on the isle of Lesbos.

"In the seventh century BC, Lesbos was a cultural center. Sappho spent most her time on the island, though she also traveled widely throughout Greece. She was exiled for a time because of political activities in her family, and she spent this time in Sicily. By this time she was known as a poet, and the residents of Syracuse were so honored by her visit that they erected a statue to her.

"Sappho was called a lyrist because, as was the custom of the time, she wrote her poems to be performed with the accompaniment of a lyre. Sappho composed her own music and refined the prevailing lyric meter to a point that it is now known as sapphic meter. She innovated lyric poetry both in technique and style, becoming part of a new wave of Greek lyrists who moved from writing poetry from the point of view of gods and muses to the personal vantage point of the individual. She was one of the first poets to write from the first person, describing love and loss as it affected her personally.

"Her style was sensual and melodic; primarily songs of love, yearning, and reflection. Most commonly the target of her affections was female, often one of the many women sent to her for education in the arts. She nurtured these women, wrote poems of love and adoration to them, and when they eventually left the island to be married, she composed their wedding songs. That Sappho's poetry was not condemned in her time for its homoerotic content (though it was disparaged by scholars in later centuries) suggests that perhaps love between women was not persecuted then as it has been in more recent times. Especially in the last century, Sappho has become so synonymous with woman-love that two of the most popular words to describe female homosexuality--lesbian and sapphic have derived from her. "


"To Andromeda"

That country girl has witched your wishes,
all dressed up in her country clothes
and she hasn't got the sense
to hitch her rags above her ankles.

--------------------------

He is more than a hero
He is a god in my eyes--
the man who is allowed
to sit beside you--he
who listens intimately
to the sweet murmur of
your voice, the enticing
laughter that makes my own
heart beat fast. If I meet
you suddenly, I can't
speak--my tongue is broken;
a thin flame runs under
my skin; seeing nothing,
hearing only my own ears
drumming, I drip with sweat;
trembling shakes my body
and I turn paler than
dry grass. At such times
death isn't far from me

-------------------------------

Stand up and look at me, face to face
My friend,
Unloose the beauty of your eyes...

-------------------------------

Love shook my heart,
Like the wind on the mountain
Troubling the oak-trees.

----------------------------

The Moon is down,
The Pleiades. Midnight,
The hours flow on,
I lie, alone.

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Sunday, April 25, 2010

SPRING AND FALL: TO A YOUNG CHILD by Gerard Manley Hopkins

(An old tree from Tanzania, photo by Diego Goldberg)

When I was nine, I memorized this poem by Hopkins because it had my name in the first line and because it made me cry for reasons I couldn't understand.

SPRING AND FALL: TO A YOUNG CHILD

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By & by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep & know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What héart héard of, ghóst guéssed:
It is the blight man was born for,
It is Margaret you mourn for.

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