Thursday, February 25, 2010

HUBBLE THURSDAY 25 FEBRUARY 2010

(X Structure at Core of Whirlpool Galaxy -- M51)

Every Thursday, I post a very large photograph of some corner of space captured by the Hubble Space Telescope and available online from the picture album at HubbleSite, followed by poetry after the jump.

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Tuesday, February 23, 2010

LOLCATS WEEKLY ROUND-UP 23 FEBRUARY 2010

Here's the weekly best of what I've gleaned from I Can Has Cheezburger efforts. There are some really creative folks out there.

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Monday, February 22, 2010

PYA: CHAPTER SIXTY



To begin reading this sci-fi novel or for background information, go to my Chapter One post here. To read about the background of the first novel, read my post here, which will also direct you to appendices.

For more detailed information, posted elsewhere on this blog are:

Pya Dictionary from Skenish to English (complete up to present chapter), with some cultural notes included
Pya Cast of Characters (complete up to present chapter)
Owl Manage on Saya Island, original plans
Saya Island Eastern End After Development
Map of Pya with Description of Each Island
Map of Skene (but not Pya)
Map of Saya Island and Environs When Pyosz First Arrived
Map of Saya Island, Teppe and Pea Pods Environs After Development
Skene Character Lineage at Midway Through Pya Novel
Skene, Chapter One (With Cultural Notes in Links)

CHAPTER SIXTY

Maar's ability to focus was being tested these days as she moved through waves of sexual anticipation and memory during her work hours. There was one particular recurrence of lovemaking with Pyosz that she had to banish from her thoughts as dangerous distraction whenever she was flying: How, at a certain stage, Pyosz would begin repeating her name in a pleading tone, with a small catch in her voice between the two syllables of Maar. Remembering it made Maar instantly crazy with desire.

She kept telling Pyosz she hadn't known making love could be like this. Pyosz always replied "I know, darling, me too" but Maar didn't think Pyosz really got it.

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ON WASHINGTON'S ACTUAL BIRTHDAY

First, a link to an interesting historical essay by Acilius at Panther Red, The Labors of Hercules, which begins "George Washington may have been in some ways uniquely admirable as a political leader, but as a slaveholder he was no better than he found it convenient to be."

And, an oldie but goodie, the Washington Rap. NOTE: NOT SAFE FOR WORK OR CHILDREN. Seriously.

MINSTREL SHOWS

("Drinking melted snow water in Richmond, Vermont", photo by Oak LoGalbo)

A day with physical limits at the forefront, so I will push elsewhere.

The whole question of "should white people do art based on/coopted from POC culture" is on folks' minds today. It's a big question with a complicated answer. As a writer myself who creates nonwhite characters (main characters), I constantly revisit my assumptions, my sense of entitlement, my intentions. Who am I writing for? What would (insert various friends) think or say about this scene? Am I challenging the status quo, raising the energy, or simply perpetuating existential hopelessness? Can I find a similar lesson from my OWN culture and use that instead, with more integrity?

After watching the first episode of White Teeth this weekend, I assumed Zadie Smith was Jamaican, i.e., the character Clara. Turns out, she is more or less Irie, the daughter of Jamaican Clara and white working class British Archie. I haven't finished the series, but it has thus far gone off into Pakistani culture as experienced by Irie's family friends Magid and Mallat. The writer clearly knows it inside out, and thus far I'm willling to trust her as the voice bringing us this other world.

But is that because I'm white and my ability to experience "the other" is most comfortably brought to my doorstep by border crossers?

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