Thursday, April 22, 2010
HUBBLE THURSDAY 22 APRIL 2010
Every Thursday, I post a very large photograph of some corner of space captured by the Hubble Space Telescope and available online from the picture album at HubbleSite, followed by poetry after the jump.
HARVEST
by Louise Gluck
It's autumn in the market—
not wise anymore to buy tomatoes.
They're beautiful still on the outside,
some perfectly round and red, the rare varieties
misshapen, individual, like human brains covered in red oilcloth—
Inside, they're gone. Black, moldy—
you can't take a bite without anxiety.
Here and there, among the tainted ones, a fruit
still perfect, picked before decay set in.
Instead of tomatoes, crops nobody really wants.
Pumpkins, a lot of pumpkins.
Gourds, ropes of dried chilies, braids of garlic.
The artisans weave dead flowers into wreaths;
they tie bits of colored yarn around dried lavender.
And people go on for a while buying these things
as though they thought the farmers would see to it
that things went back to normal:
the vines would go back to bearing new peas;
the first small lettuces, so fragile, so delicate, would begin
to poke out of the dirt.
Instead, it gets dark early.
And the rains get heavier; they carry
the weight of dead leaves.
At dusk, now, an atmosphere of threat, of foreboding.
And people feel this themselves; they give a name to the season,
harvest, to put a better face on these things.
The gourds are rotting on the ground, the sweet blue grapes are finished.
A few roots, maybe, but the ground's so hard the farmers think
it isn't worth the effort to dig them out. For what?
To stand in the marketplace under a thin umbrella, in the rain, in the cold,
no customers anymore?
And then the frost comes; there's no more question of harvest.
The snow begins; the pretense of life ends.
The earth is white now; the fields shine when the moon rises.
I sit at the bedroom window, watching the snow fall.
The earth is like a mirror:
calm meeting calm, detachment meeting detachment.
What lives, lives underground.
What dies, dies without struggle.
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Labels: Hubble image of STIS records a black hole signature, Louise Glück
Thursday, November 5, 2009
PERSONAL UPDATE 5 NOVEMBER 2009
Too long for Twitter, again: Dinah prowled and wailed every half hour all night long. I'd call to her and she'd come at a trot, need extensive contact to stop vocalizing. I had an endless fount of reassurance. I can hardly take in how painful this separation must have been for her. Finally, mid morning, she slept on my chest and then slept two feet away on the bed. Whenever I noticed her eyes opening, I'd tell her how much I love her, need her, missed her.
I found a long-lost cat toy near my bed, which nearly broke my heart -- I can imagine her trying to bring it to me, only to remember I was gone. We played with it for a while. Also have had regular dispensing of treats. Despite her food bowl being empty, she's not lost weight, and she's eaten from the refilled bowl but not ravenously. I think she figured out the big bag of cat food here by my desk was not sealed tight and helped herself, which is a relief.
Early afternoon the news about the shootings at Fort Hood broke into Rachael Ray locally and I followed that off and on, except when KBH or Chris Matthews were on the screen. I can't access wifi in my bedroom on my little netbook and don't have a cord to reach into my study where my main PC is, but at the moment the solitude -- or rather, being alone with Dinah -- is still an enormous pleasure. I need to sleep and dream a lot more. Scenes from Ginny Bates, past and not yet written, keep breezing through my head. They are some kind of palate cleanser for the hospital experience, I think.
I am lucky as Myra (the main character based on me in Ginny Bates, who wins the lottery as well as love). I know much of my luck has faces, names, heartbeats. I am reminded of the poem by my bed, written about in a post of mine at Meta from March 2008:
THE UNDERTAKING
The darkness lifts, imagine, in your lifetime.
There you are - cased in clean bark you drift
through weaving rushes, fields flooded with cotton.
You are free. The river films with lilies,
shrubs appear, shoots thicken into palm. And now
all fear gives way: the light
looks after you, you feel the waves' goodwill
as arms widen over the water; Love
the key is turned. Extend yourself -
it is the Nile, the sun is shining,
everywhere you turn is luck.
(by Louise Glück, from The House on Marshland)
(Dinah above my computer, May 2005)[Cross-posted at Group News Blog.]
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Labels: Dinah, Louise Glück, memoir, Personal Update
Saturday, March 15, 2008
LUCK AND SELF-LOVE: SAME COIN
("At the Nile" by Amanda Evassy Tumusiime)
On the wall beside my bed are a number of photographs, hung beads, and a few pieces of paper containing lines or poems important to me. I'm sharing a couple of those today.
In the early 1990s, I went back to the Bay Area to visit friends for a week. I drove up to Napa to see my pal Gail, and we went to eat at a little cafe along the main two-lane blacktop through wine country. In the foyer of this cafe, along with many community notices and flyers, was a stack of pink handouts, each one-quarter of regular sheet of paper, on which someone had reproduced the lyrics to one of the chief lesbian anthems of the 1970's. There was nothing on the reverse, no indication of where these had come from, nothing to advertise: It was simply a gift to any who came by.
This song was almost indescribably important to my development as a human being, as a woman, as a lesbian, and (I believe) to much of my sisterhood's generation. Although I know the lyrics by heart, I picked up one of the little pink slips -- how could I not? -- and slid it into my datebook. When I got home, I tacked it up beside my bed as a daily reminder, and it's been there until now. I'll be returned it to its outline on the plaster, having typed it for you below.
Just above it has rested a postcard sent to me by an ex, when we were still in the agony of break-up, containing a poem whose author was not identified. It was a sort of well-wish, and it's been there for 17 years. Now that she and I no longer have anything to say to one another (not well wishes or ill wishes, only silence), it's time for the postcard to come down. But the poem is spectacular, and I'm sharing it with you -- tacking it up here for the world, as it were.
(Alix Dobkin, photo by Carol Newhouse)
THE WOMAN IN YOUR LIFE IS YOU
The woman in your life will do what she must do
To comfort you and calm you down and let you rest now
The woman in your life, she can rest so easily
She knows everything you do because the woman in your life is you
The woman in your life knows simply what is true
She knows the simple way to touch, to make you whole now
The woman in your life, she can touch so easily
She knows everything you do because the woman in your life is you
And who knows more about your story, about your struggle in the world
And who cares more to bless your weary shoulders
Than the woman in your life, she's trying to come through
A woman's voice with messages of woman's feelings
The woman in your life, she can feel so easily
She knows everything you do because the woman in your life is you
And who is sure to give you courage and who will surely make you strong
And who will bear all the joy that's coming to you
If not the woman in your life, she's someone to pursue
She's patient and she's waiting and she'll take you home now
The woman in your life, she can wait so easily
She knows everything you do because the woman in your life is you
The woman in your life, the woman in your life
The woman in your life is you
by Alix Dobkin on Lavender Jane Loves Women
(Louise Glück, by Sigrid Estrada)
THE UNDERTAKING
The darkness lifts, imagine, in your lifetime.
There you are - cased in clean bark you drift
through weaving rushes, fields flooded with cotton.
You are free. The river films with lilies,
shrubs appear, shoots thicken into palm. And now
all fear gives way: the light
looks after you, you feel the waves' goodwill
as arms widen over the water; Love
the key is turned. Extend yourself -
it is the Nile, the sun is shining,
everywhere you turn is luck.
(by Louise Glück, from The House on Marshland)
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Labels: Alix Dobkin, Louise Glück, The Undertaking, The Woman in Your Life Is You

