Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts

Tuesday, January 26, 2010

THE QUALITY OF METER


(Splash photo by Paul Hoksenar)

One of my most prized possessions is a complete collection of Shakespeare that was given to my mother as her high school valedictorian present by her book-loving father, the year before he died. It was printed as World War II raged, and hence it demonstrates the paper and ink rationing of the times: The pages are tisue-thin, the print reduced, the margins scant. But it is still elegant and compleat, and Mama found room to underline or make comments in her copperplate handwriting, using peacock-blue fountain pen ink in delicate lines.

I began reading from it every night when I turned 12 and we moved to Brasil, with no TV and either the volumes on our shelves or a few English-language murder mysteries in the bibliotecas all we had as print material. Long after my parents were asleep, I'd lie in the tropical swelter of my room, watching the geckoes in each corner who kept mosquitoes at bay, flipping between lines of iambic pentameter to footnotes and glossary, trying to suck out all the meaning he packed into each phrase. A good way to cope with hormones hitting my bloodstream like galloping mares.

I once heard that the average English sentence produced in everyday conversation by a native speaker tends to run ten syllables in alternating beats. In other words, iambic pentameter sounds like "ordinary talk" to us -- overlay metaphor and epic ideas, and you've got poetry no one can forget because it settles into the grooves of our brains.

I wonder if that's still true any more.

The ratio of allowable Twitter characters to allowable Facebook characters is 1:3. There is no poetry in that decision. The only way around mathematically brutal elision is to cheat by adding a picture or link -- fodder for the ADD crowd who will actually go to prominent writers' blogs and complain about having to read "paragraphs."

So Mama's generation understood how to retain the entirety of a thing while avoiding waste. How would we now reduce the following to a FB friendly discrete chunk -- and what feverish possibilities would be thus lost for a future pubescent looking for doorways to the world?

The quality of mercy is not strained.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives and him that takes.
Tis mightiest in the mightiest; it becomes
The throned monarch better than his crown.
His scepter shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings.
But mercy is above this sceptered sway;
It is enthroned in the hearts of kings.
It is an attribute of God himself;
And earthly power doth then show like God's
When mercy seasons justice.

[Cross-posted at Group News Blog]

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Thursday, July 9, 2009

HUBBLE THURSDAY

Hubble telescope image showing dark matter in galaxy cluster CI0024+17 (This Hubble Space Telescope composite image shows a ghostly ring of dark matter in the galaxy cluster CL0024 + 17. Click on image to enlarge.)

Every Thursday, I post a very large photograph of some corner of space captured by the Hubble Space Telescope and available online from the picture album at HubbleSite.


What a piece of work are we
How noble in reason
How infinite in faculties
In form and moving
How express and admirable
In action how like an angel
In apprehension how like a god
The beauty of the world
The paragon of animals

I have of late
But wherefore I know not
Lost all my mirth
This goodly frame
The earth
Seems to me a sterile promontory
This most excellent canopy
The air-- look you!
This brave o'erhanging firmament
This majestical roof
Fretted with golden fire
Why it appears no other thing to me
Than a foul and pestilent congregation
Of vapors

What a piece of work are we
How noble in reason

How dare they try to end this beauty?
How dare they try to end this beauty?

Walking in space
We find the purpose of peace
The beauty of life
You can no longer hide

Our eyes are open
Our eyes are open
Our eyes are open
Our eyes are open
Wide wide wide!


[Note: Before you begin kvetching that Shakespeare, whose play Hamlet is the original source for these lyrics from Hair, was using "man" in the "general" sense (as if centuries of sexist language make it okay to perpetuate), I suggest you go read the original. You'll discover the line as Shakespeare wrote it is "What a piece of work is A man" and he makes it very clear he's referring to male human beings, because at the end of the passage he says he finds no delight in men, adding "nor women either." The writers for Hair obviously felt fine about altering Shakespeare to make it scan and fit a rock lyric. Thus, I feel fine as well, since my revision scans AND brings females unequivocally into the reference.]

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